Showing posts with label new york. Show all posts
Showing posts with label new york. Show all posts

Education: Factory Safety - What can we do?

We don't think about how our clothes are made. We see a t-shirt at a store, we probably check the price - and if we like it, we buy it. Rarely do we stop and think about where that t-shirt was made, or what materials were used or under what conditions it was produced. 

Rana Plaza building collapse in Savar, Bangladesh - Image via Wikipedia

Then suddenly terrifying pictures of young seamstresses jumping out of burning factory windows in Pakistan and rescue services pulling dead bodies out of the ruins of a collapsed factory building in Bangladesh pollute our news and we are shocked. We think 'that must be terrible for the families!' and 'what if that happened here?' - but we don't realize: These people died stitching the hem on the exact t-shirts we were going to buy a couple of months later. Even though we all know that most of our garment production takes places in South East Asia, Bangladesh and Pakistan are just too far away to fully grasp the impact of such devastating incidents. When we do get the occasional sting of guilt, we justify our lack of initiative with the deterministic question: 'But what can we - as simple consumers - really do?'

About 100 years ago, when such a disaster happened right in our midst, we knew what to do: Looking back on the fire in the Triangle Shirtwaist Factory in 1911 right here in Manhattan puts a whole new perspective on the fashion industry's marvelous idea of outsourcing (or: off-shoring) all the time-consuming sewing work to foreign countries marked by devastating poverty and desperate people living below the breadline - foreign countries that are also conveniently far, far away. With the ignorant motto of 'out of sight, out of mind' the fashion industry has managed to put the consumer's mind at ease  - and reduce the garments' prices all at the same time. Seems like a win-win situation.

If I learned one thing from today's conference 'Factory Safety - What can we do?' at the Fashion Institute of Technology in NYC, it is that this current situation is not a win-win situation. Among corporate social responsibility (CSR), sustainability and eco-friendliness, the conference focused on the comparison of today's incidents in South East Asia with the disaster of 1911 in New York - and what we can do to help. It was also possible to design and create one's own shirtwaist banner that would be carried at the Triangle Shirtwaist Factory fire memorial ceremony on March 25.

Shirtwaist banners designed and created by conference participants

The participants were able to discover both the corporate side of CSR with guest speaker Marissa Pagnani who represented PVH and also the academic side with a panel of FIT faculty and students who founded the university's own CSR Club (that I joined!). All throughout the conference, participants were encouraged to voice their opinions and join the discussion, which communicated very nicely that all of us are in this together. Last but not least, Charles Kernaghan, the Director of the Institute for Global Labour and Human Rights, talked about his work.

Kernaghan started off by telling us about the fire in the Triangle Shirtwaist Factory that caused young - mostly immigrant - seamstresses to jump from the 8th, 9th and 10th stories of the Asch building on the northwest corner of Greene Street and Washington Place in Manhattan - because the emergency exits were locked - in order to not be fully consumed by the deadly flames and to ensure that their families would be able to identify them after their death. Does this sound familiar to you? 

The Triangle Shirtwaist Factory after the fire in 1911 - Image via Public History Blog

Back then, the fire took the lives of 146 garment workers - 123 female, 23 male - and set the stone for a political movement towards safety standards. Unions were organized, specifically the International Ladies' Garment Workers' Union, that helped improve unfair working conditions for garment workers.  By 1938, sweatshops were virtually eliminated in the US until the 1980s when the fashion industry began to outsource its production to South East Asia, which, so Kernaghan, ruined all the progress made in previous years.

The accident of the collapsed Rana Plaza building in Savar, Bangladesh, on April 24, 2013, took 1,129 lives and was only the latest of a serious of deadly accidents in factories in South East Asia - but still barely any changes have been made so far. Even though the companies that produced at these factories are trying to improve working conditions in collaboration with the Accord - by auditing and monitoring the factories to make sure that no emergency exits are being locked and that enough fire extinguishers are available, for example - there is still more to be done. The Bangladeshi government still doesn't grant its people the right to organize, which gives them no form of representation and no way of standing up against the factory owners and supervisors in face of unfair working conditions. Before the implementation of a minimum wage, the workers at the Triangle Shirtwaist Factory earned $3.18/hour (for today's standards), while the workers in Bangladesh today earn only $0.28/hour. 

Charles Kernaghan - Director of the Institute of Global Labor and Human Rights

In 2009, the American Congress passed a law - the Dog and Cat Protection Act - that prohibits the import of dog and cat fur from China into the US - but we can't protect humans with a similar law? Businesses owners are allowed to protect clothing labels by law but not the workers who produce the garments because that would be 'an impediment to free trade?' Why are we supporting these businesses, such as Walmart, Sears and the Gap, that exploit garment workers for cheaper prices and higher margins? Is a low price really all that matters to us? Are Bangladesh and South East Asia really that far away that we can't empathize with and support the struggling people there?

These are all questions that can't be easily answered but the unified message of all speakers seemed to be that the progress of this movement is, indeed, up to us. We need to inform and educate ourselves about the companies we buy from, about their production processes and their CSR programs. We need to make educated buying decisions taking these factors into account and use our buying power for the good. The change won't happen over night but if we all participate, we can make a difference. 




Spring 2014 RTW: Thom Browne vs. Narciso Rodriguez


Clearly, these two collections could not be any more different. While Thom Browne offers an over-the-top collection that subconsciously makes you look forward to Halloween, Narciso Rodriguez also goes over the top - but in a completely different, more minimalistic direction.

The color schemes are surprisingly similar, in fact, black and white are still the dominant colors in most collections for next Spring. The cuts, the details and the styling, however, make for a specific designer's handwriting and distinguish collections from each other. Even though both collections don't offer innovative cuts, textures or materials - it has all been done before - both design houses still manage to engage the viewer with either an utter abundance or complete lack of styling. While Narciso Rodriguez has a futuristic outlook and not much styling to distract from clear shapes and sharp edginess, Thom Browne goes back in time and adds a lot of drama with details over accessories over crazy hair and smeared make up.

Being able to see two collections this different in style, outlook and personality in one season in the same city (New York Fashion Week), is really a luxury of our time. Nowadays, there isn't one mainstream trend that is seen in all collections. No, designers give us the choice: Women can choose who they want to be and what they want to dress like - no matter if like a crazy, over-the-top or minimalistic and sharp.


Internship: Altuzarra S/S 2014 Fashion Show

I am back in New York and I have exciting news: Two weeks ago I started my internship at PR Consulting, a PR agency that handles the public relations for brands like Versace, Dries van Noten, Vera Wang and many other famous fashion brands. I am on the team for the amazing brands Maje, ACNE and Altuzarra - whose fashion show was yesterday. I got to assist the preparation of the show as well as work it last night.

The collection was simply amazing - but also the venue and the atmosphere was great. It was an incredible experience to meet the designer Joseph Altuzarra and to show the most important people of fashion industry to their seats - Anna Wintour, Stefan Tonchi, Giovanna Battaglia, Nina Garcia, Taylor Tomasi Hill, Garance Doré, Leandra Medine and so many more of my favorite editors from Vogue, W, Marie Claire, Elle, etc. and bloggers were there!

Enjoy some of my backstage pictures and my favorite looks from the collection.


















Pictures by Kim and via Vogue.com

Report: Brandon Sun FW13 at MBFW New York



Boohoo, Fashion Week is officially over for us ... but with Brandon Sun as our last show, this Fashion Week definitely went out with a big bang!

Brandon Sun's FW13 collection was sexy, cool, grungy - and very intriguing. The lovely details of every single outfit made you cling to one model for almost half an hour - just to find another little specialty. For example: a little fringe coming out from under a coat, sheer chiffon peaking through a jacket, luscious fur wrapped around the model's neck or a very interesting twisted top. The color palette of mostly blacks and greys but some greens and blues was very dark and also the various layering, the chunky necklaces and the models' messy hair added to this grungy effect. Crisp leather, well-tailored jackets and pants and elegant silk dresses counteracted by incorporating a lot of sophistication.

All in all, we absolutely adored Brandon Sun's FW13 collection and were glad that it ended our fashion week on such an amazing note!




Photos - Courtesy of Fashion Now

Report: Kaelen FW13 at MBFW New York


In all honesty: Kaelen was the presentation we were looking forward to the most. The previous collections were beautiful: structured, sophisticated and very powerful. So, were our expectations met at today's presentation at Pier 59? Absolutely.

Not only did the location -and its fashionable visitors - at a studio in the Chelsea Piers create an amazing atmosphere, the clothes were simply breathtaking. The color palette was kept rather neutral with blacks, greys and whites as a base to the accent colors deep purple and burgundy. The New York-based designer Kaelen Haworth incorporated a lot of different textures: laser-cut lace, knits, leathers and beautiful shiny jacquard. The highlight of the collection was definitely the flower print on satin and chiffon that gave a little bit of a whimsy to the strong collection. One of our favorite pieces (and trust me, it was hard to pick just one!) was the blush leather vest with fur details - very sophisticated and feminine!

Hands down, Kaelen has been our favorite FW13 collection so far and so worth skipping class for (oops!). Kaelen Haworth is definitely a designer to watch!

P.S. Just discovered: If you want to get to know the designer and have a tour around her apartment, click here! It is beautiful and definitely worth a watch!










Report: Lela Rose FW13 at MBFW New York


Let's all be honest: We all knew Lela Rose's FW13 collection would be amazing - long before our invitations were even sent out.

I feel bad for everyone who missed out on the presentation of her romantic collection that featured lots of fluffy feathers, delicate lace and luscious satin. Intriguing prints, fun colors and beautiful embellishments did furthermore put a spell on all the attendants. Rather precise silhouettes were romanticized and relaxed by the undone hair and cute polka dot socks.

The best part of the collection? Not only does it embody all a woman strives to be (feminine, romantic, cute - as well as strong, powerful and intriguing) but Lela Rose also knows how to accentuate the beauty of the female body. The delicate silhouettes and the emphasis of the waist will make all women look and feel beautiful. Gorgeous collection, Lela Rose!




Photos - Courtesy of Vogue Italia

Report: CZAR by Cesar Galindo FW13 at MBFW New York


CZAR by Cesar Galindo's FW13 collection is the embodiment of sophistication. Well-tailored dresses and suits and sleek pulled-back hair made for a strong FW13 woman. Nevertheless, Cesar Galindo knew how to add the right amount of edge by incorporating a lot of interesting fabrics. Shiny sequins, crisp leather and luscious fur in bright colors, such as red and purple added a splash of fun!

I completely fell in love with a white halter dress that Cesar Galindo combined with a silver statement necklace and black booties - a very unusual look for fall! That is why I enjoy the collection so much: It was full of surprises. Thank you, Cesar Galindo!



Pictures - Courtesy of MBFW

Report: Noon by Noor FW13 at MBFW New York


Was it just a dream? Or did we actually attend Noon by Noor's fashion show yesterday?

When we woke up this morning, we still couldn't grasp the fact that we had been there for the presentation of Noon by Noor's FW13 collection - along with celebrities like Olivia Palermo, Nigel Barker and Poppy Delevingne. 

We are still awestruck by the very classic and feminine collection that was inspired by the visiting birds to the archipelago and portrayed the FW13 woman and her never-ending desire to travel the world. The great variety, a true muesli, of different fabrics and silhouettes supported the beautiful story: Prints in pop art, floral and check add a touch of modernity to the romantic Swarovski-embellished silk and knitwear, while feminine gowns contrast masculine pant suits. The dark color palette of deep red and burgundy, green, purple, navy and black add sophistication to the whimsy of embroidered bees on collars and hand-crafted clutches made of local date palm leaves. 

All in all, a beautiful, story-telling collection made up exclusively of must-have pieces! We love it!








Thank you Noon by Noor for providing us with phots from BFA!